On Monday, which happened to be a very sunny and beautiful Veteran's Day, I decided to give the Museum of Fine Arts a visit. The MFA has been a popular destination for locals and travelers alike, and an especially popular destination for myself. Previous exhibits I have attended: the Scaasi exhibit, an American couturier (what's not to love about Barbra Streisand and Mary Tyler Moore...and their clothes?), an exhibit called Black Ink, featuring contemporary Chinese ink painters, and most recently, the Mario Testino exhibit, a Peruvian fashion photographer, also employed by the British royal family.
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| Mario Testino |
His works vary from the familiar to the strange, always surprising and fresh. Now, it's almost impossible to talk about art and my favorite paintings without actually looking at them, so pardon the excessive amounts of pictures and information.*
I also found that it's almost impossible to do the whole MFA in one day, without a plan of execution. I should have mapped out where I wanted to go instead of heading off in whatever direction I felt necessary at the time. But, since I frequent the museum, I know the layout of the MFA pretty well, and I especially know the routes that I wanted to take to see my favorite paintings. So here we go, from Monet to Chihuly, from Turner to Testino, from the traditional to contemporary, and from the familiar to the unknown. Enjoy.
We begin with Claude Monet, and a very famous work entitled Water Lilies. The MFA owns two paintings from Monet's original exhibit of forty-eight. The series depicts his water garden at Giverny. I love how reflective this work is, and the serenity that comes from the colors and calmness of the water. It's a painting I could get lost in for hours.
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| Water Lilies (1905) Claude Monet |

One of my favorite paintings in the museum is called
Dante and Virgil, by Jean Baptiste Camille Corot. I find this painting to be absolutely epic. It inspired me to buy a copy of Dante's
Inferno, however the whereabouts of my copy have been narrowed down to "somewhere in Texas". Dante in this painting has just encountered a lion, a tiger, and a wolf (oh my!), and Virgil, an ancient poet (not a cowardly lion), offers to be his guide through Purgatory and Hell...now that's real friendship right there. On the little plaque of information found next to this painting, it says that Corot "rediscovered it in his studio many years later". How do you paint
this, and then forget about it? He tried to sell it to the French state, however Quincy Adams Shaw, a Bostonian collector, bought it in 1875, and donated it to the MFA. You really have to see these paintings to believe them. This is another painting that I have stared at on countless occasions, and each time I notice something different. Luckily, any Boston college ID will get you in for the low, low price of $0. This museum tends to be a bit pricier for the non-college visitors, but let me tell you, the admission is totally worth it. Although I suggest you carry a map with you, or you can get very very lost. For instance, when my boyfriend and I tried to make a hasty exit, we completely failed at finding the way out.
Let's move on to yet another awe-inspiring painting by John Martin, called Seventh Plague of Egypt (1823). As we already know, in the Bible, Moses calls down ten plagues before the pharaoh after he tried to ask him nicely to let his people go. This painting shows how Moses "stretched forward his rod toward heaven, and the Lord sent thunder and hail, and fire rained down onto the earth". The clouds, the light, the pyramids in the background, and the anguished Egyptians make this painting go to the top of my list...also a painting of epic proportions.
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| Seventh Plague of Egypt |
Here's something I bet you didn't know. Vincent van Gogh, while in the south of France, painted a flowering hillside, however he soon found himself out of canvas. He took said painting of the wild vegetation and painted the Ravine over it! And just how do we know this? Well, the curators took an X-ray of the painting, only to find the original painting under layers of paint. I think I said the word "paint" way to much. But...fascinating, don't you think? It's like if Mozart ran out of manuscript paper, and erased the Gran Partita to write a divertimento. The horror.
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| Ravine(1889), Vincent van Gogh |
I am always fascinated by larger than life paintings. Not just the subject matter, but actually, the sheer size. If I were to attempt to make a painting like the one below, not only would it be terrible, but it would be incredibly disproportionate. One horse would be huge, the other would have a really small head, and the man would probably be wearing some more clothes...luckily he had that red cape! But how does one make any large painting...and murals? It blows my mind. This painting is aptly named Automedon with the Horses of Achilles (1868). This painting depicts a scene from Homer's Iliad. Although there is no description found near the artwork, these two horses are being lead into battle, and they know that it will cost their master, Achilles, his life. It's a foreshadowing of doom and disaster.
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| Automedon with the Horses of Achilles |

Even now, I am still getting a sense for this contemporary painting by Suzan Frecon. Contemporary art has always been difficult for me, and probably the rest of the population. It's hard to know whether someone just splatted paint onto canvas, or whether it's actually a good piece of artwork. My boyfriend brought up a very good point: Paintings like this one remind me of minimalist music, some which I have grown to love and appreciate, and some which I really have a profound distaste for. Either way, artists, like composers, are "ahead" of their time, or as composer and flutist John Heiss says "Composers are the only ones with their time...everyone else is behind". This piece of art is a study of four colors (like how a piece of music can be a study of four notes, perhaps?), and the little plaque next to it suggests looking at it from different angles, and different distances, to get the full effect of how the colors play off each other, the sloping lines, the angles, the shine, and the shapes. It took a little while for me not to see a big blue egg being eaten by a big gray face, but after a while I started to get a feeling for it, an appreciation, if you will. I don't know if this will eventually become a masterpiece, but if you ever see a painting like this, give it a chance. You might be surprised by what you experience.
Below is one of my favorite paintings at the MFA...well, actually all of these paintings are some of my favorites. When I look at a piece of art, I like to play "name the painting before looking at the title". The things that stand out right away are the colors and the ship in the background. A shipwreck, perhaps? A closer look would reveal hands sinking into the ocean with chains attached, piranhas, and blood. Not a very uplifting painting, but a profoundly powerful one. This painting is by Joseph Mallord William Turner, and is called Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On) (1840). It is based on a poem, which is based on the true story of the ship Zong. The story is way to depressing and wrong to put on my blog, but I invite you to google it, or ask Siri on your iPhone. The hot, violent colors really capture the horrifying events and "terrifying grandeur of nature".

In order to end my adventure to the museum on a positive note, this piece is by one of my favorite living artists, Dale Chihuly (from Seattle!). This piece is called Seaform Set (1982), and is made from blown glass. The MFA had an incredible Chihuly exhibit a few years ago, and it was like walking through Wonderland...with huge, larger than life, ultra colorful, vibrant blown glass creations.
And of course, the giant baby heads.
I hope you enjoyed my little tour of my favorite works, and I hope that you can visit the MFA soon for yourself. Everything is better in person.
*The images are mine, just not the paintings, and most of the information you see on this blog comes from the little plaque located near the artwork - believe it or not, I don't know this information off the top of my head.